Another night of riots in France. And we have to ask not “why,” but “why not?” So many felt the pot boiling in LA, and the arguments against class warfare here in the US seemed finally to disappear. But wait, the focus returned to Race, with Rodney King wanting everyone to get along. Was that because of LA’s urban sprawl, or the news helicopters’ topological smoothing of borders and fronteirs? Did we buy the Race argument because class seems so hard to swallow here in the US? Or was it because, as we watched a truck driver being pulled from his rig, we saw a severe local rage, and refused to acknowledge its sources? Did the psycho-geography of the local scene combined with a hollywood twist allow us to let it all become TV’s flow?

We don’t buy it in Haussman’s Paris, though. We have no choice but to understand Core and Periphery as those who have and those who have the State. If the State can’t keep up with it’s obligations, and resorts to violence to control them, over and over, then the State will be attacked. Or so we’d like to think.

The fact that the attacks come against local businesses, like LA, like so many other local rebellions, brings us to class again. Why, when taking the opportunity to Rise up, do we always shoot each other in the foot? We can hope that some focus makes Chirac eat his words of punishment and begin to formulate a dialogue with those whom he serves. The spreading of the violence to other cities only serves to siginify the unity of the periphery against the State that keeps it down.
After all, the rich don’t need or use the state, it is a nuisance, right? Free-market = freedom as a market.

I consider it to be a serious signifier of the conditions of paranoia and shame that surround the current US administration that George Bush jr., the most unpopular president since Nixon, has asked for the highest level of security in the history of Brazil for his forthcoming visit. Is it not obvious that, after the events of Argentina, Bush has slipped to a point of no return? This animation says it all…
thanks to Trebor Scholz for passing it along…
A luta continua

After chats with Carlos Basualdo this January in Rio, I decided to touch up the old thesis. Tracing Tropicália is now ready.
1 mb .pdf at this link
1st chapter is Negative Interpretations: The Category of the New; 2nd is Antropofagia and the Brazilian Historical avant-garde; 3rd is From Antropofagia to Tropicália: Tracing a trajectory; and 4th is Tropicália and Neo-Tropicalismo: Brazilian Avant-Pop Music
whew!
dp

After the last presidential election, I wrote a post to , later published in the book Under Fire II by Jordan Crandall, called rural vs. cosmpolitan vs. bush vs. kerry vs. ontology vs. epistemology. After hearing Anthony Vidler read from his forthcoming book Utopia at the Whitney ISP the other day, I began to formulate a new set of ideas around this topic, and I thought I might share them here.

Vidler talked of Plato’s belief that that there should be a movement of bodies of its citizens between the city and the country-side, dividing half the year in each. A rotating schedule for citizens (who, as we know, did not include women or slaves or artisans) to be divided between the country and the city. Divided into two groups, half would be behind the city walls while the other half would be in their country homes, relaxing, experiencing nature. Then they would switch, providing a balanced appreciation cosmopolitanism and ruralism for the polis.

If we consider this strategy (which was Utopic, of course, and never properly realized) and begin to reapply it to the current political morass that we are living in the US and, effectively, globally, we might begin to address the imbalance between the perceived secular cosmopolitanism of the Left vs. the perceived Moral values rooted in a sense of truth based on religion on the Right. Then everyone would be balanced and great…right? A perfect liberal democracy with a pumping capitalist economic engine.

Now we all know the contradictions implicit within that system of accumulation that we have begun to affectionately call the free-market, or, abbreviated by the Right for purposes of spreading this love, “freedom” . So it is not enough just balance out the polis and refigure the relations between rural and cosmopolitan. We would have to also attack the issue of the marketplace.

A torch and middle fingers.

Hold a torch. Peter Sloterdjik brings us back to the joker Diogenes, the colleague of Plato and Socrates, sort of the jester that plays with the norms of the polis. One story is that Diogenes would walk through Athens, through the marketplace, in broad daylight holding a lit torch saying “I am just looking for an honest man”. Another tale is Diogenes was said ‘to have lived like a dog,’ such that the politicians threw their dinner bones at him. Once, he stood up, and like a dog, pissed on them.

Sloterdjik points that he said “In nature, we find nothing about which we would have to be ashamed.” (Critique of Cynical Reason pg. 150). There may be a suggestion here infuse the principles of nature, rawness, into the city, to subvert the moral norms of religion and the work ethic that accompany the city/market. Pissing like a dog on the bones of the market.

Fuck off, let me be.
Sloterdjik tells us of another legend told of Diogenes, his preverbal middle finger to Alexander the Great. In this legend, Alexander went out in search of Diogenes and found him relaxing, taking a sunbath. “The young sovereign, in an effort to prove his generosity, granted the philosopher [diogenes] a wish. Diogenes answer is supposed to have been ‘Stop Blocking My Sun!’” Here we have more than a call to divorce politics from the theory. We have a call to let someone be free of power’s desires, to be.

How can we get beyond the market, beyond constantly desiring more, excess, and begin to be free enough to be who we are? The sex-appeal in the rhetoric of the Right in the US is this this freedom. But as we can see, the practice of the Right (Religious training in schools, moral regulation of the body, market capitalism reducing economic power of the individual etc.) is one of restriction. However, the Left suffers the same constriction of the market as well, relying on this ‘freedom to choose’ as its principle of freemarket living.

Perhaps it’s not enough for cityslickers to appreciate the rural, and vice versa. The City vs. the Country debate needs the jester, the one who plays with these borders, these frontiers, to go beyond itself. More middle fingers, more piss, more uncompromising refusals to cater to power. Maybe it’s not just about having a good time, it is about your own good time.

All of this is fine to ponder, but it needs to be practiced as well. Politically speaking, if we can infuse the Left with some of this, it may be a strategy that helps differentiate the parties, helps increase voter attention, helps create a sense of hope for a ‘freedom’ that does not equal spreading war.

As I mentioned, just got back from London for this installation. Got a flikr accnt (about time, no?) so you can check out a few photos of the video installation called Tunnel Vision, a piece done with DJ/Rupture here

That night, I also performed the digital drill piece twice, first alone and then with a real character names Man From Uranus. I sample a power drill and then loop it, buffer it and fuck it up in real time to create beats, textures and clouds. A lot of fun, and it really reminded me of the good ol days of jamming out in my friend Ryan Olcott’s basement for hours as a kid.

Tonight N-ron is playing at tonic, definitely go check that out. It is with a nice group of fellow music lovers, so should be a get down ho down of electronic/punk/mess that will be sure to inspire even the most stalwart and stoic to shake a leg. Pure Fire is a good party put on by Chrito from broklyn beats and is always a pleasure. CU there.

This is the first entry of the dpblog. Welcome to my world. I decided to go with wordpress beccause of the bannerless, easy to code and relatively simple style. Hope u enjoy! Themasthead is a still from an installation I and DJ/RUPTURE just opened on friday in London at temporary conteporary gallery It was a good time, I performed the digital drill piece at the opening, which had been done last month at wood metal water opeing at NY’s Lower Manhattan Cultural council gallery . Photos from both to follow once I set that up…
ok, more soon…